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Examples of commons-based peer production are Wikipedia, free and open source software and open-source hardware. [203] Tragedy of the commons has served as a pretext for powerful private companies and/or governments to introduce regulatory agents or outsourcing on less powerful entities or governments, for the exploitation of their natural ...
Tragédie en musique (French: [tʁaʒedi ɑ̃ myzik], musical tragedy), also known as tragédie lyrique (French: [tʁaʒedi liʁik], lyric tragedy), is a genre of French opera introduced by Jean-Baptiste Lully and used by his followers until the second half of the eighteenth century.
The tragedy of the anticommons is a type of coordination breakdown, in which a commons does not emerge, even when general access to resources or infrastructure would be a social good. It is a mirror-image of the older concept of tragedy of the commons , in which numerous rights holders' combined use exceeds the capacity of a resource and ...
Falkner notes that in tragedy the elderly are presented as quixotic and obsessed with the prospect of doom inherent in old age; he also notes that often the elderly are presented as mourners within plays, perhaps relating to the number of sorrows old age allows one to accrue in mind. [4]
A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. [1] Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure,” for the audience.
A commons failure theory, now called tragedy of the commons, originated in the 18th century. [10] In 1833 William Forster Lloyd introduced the concept by a hypothetical example of herders overusing a shared parcel of land on which they are each entitled to let their cows graze, to the detriment of all users of the common land. [48]
The Tragedy of the Commons; Tyranny of small decisions This page was last edited on 18 June 2023, at 18:29 (UTC). Text is available under the Creative Commons ...
Stasimon (Ancient Greek: στάσιμον) in Greek tragedy is a stationary song, composed of strophes and antistrophes and performed by the chorus in the orchestra (Ancient Greek: ὀρχήστρα, "place where the chorus dances").