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At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality.
The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
The dress, an off-the-shoulder black silk evening gown, was designed by Christina Stambolian. [1] Stambolian compared Diana's choice of black to the black swan Odile in Tchaikovsky's ballet Swan Lake, saying that Diana "chose not to play the scene like Odette, innocent in white. She played it like Odile.
In Bangladesh, the courts have upheld (the British era) traditions of wearing black and white. Male judges wear white shirts and trousers with a white neck band and a black coat, whilst female judges normally choose to wear the traditional sari, and pair it with a white neck band and a black coat. Male lawyers are required to wear either:
White tie, also called full evening dress or a dress suit, is the most formal evening Western dress code. [1] For men, it consists of a black tail coat (alternatively referred to as a dress coat, usually by tailors) worn over a white dress shirt with a starched or piqué bib, white piqué waistcoat and the white bow tie worn around a standing wing collar.
The dress was floor-length, with a black body. A single white stripe ran down the front of the dress, splitting into a Y-shape at the bust to form a pair of straps. In the back, the dress fanned out into a black tulle train with several more white stripes running down it. [1]
The stays of the early 18th century were long-waisting and cut with a narrow back, wide front, and shoulder straps; the most fashionable stays pulled the shoulders back until the shoulder blades almost touched. The resulting silhouette, with shoulders thrown back, very erect posture and a high, full bosom, is characteristic of this period and ...
Red was the most common color for the bow, although pink, blue, and other colors were also used. By the 1670s, the bow of ribbons had increased in size and in the 1680s, the bow of ribbons became very large and intricate with many loops of ribbon. By the mid-1690s, the very large bow of ribbons was discarded.
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