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Famous pieces in the key of F minor include Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2, Ballade No. 4, Haydn's Symphony No. 49, La Passione and Tchaikovsky’s Symphony No. 4. Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and ...
Piano Quintet (Brahms) Piano Sonata in F minor, D 625 (Schubert) Piano Sonata No. 1 (Beethoven) Piano Sonata No. 1 (Prokofiev) Piano Sonata No. 1 (Scriabin) Piano Sonata No. 3 (Brahms) Piano Sonata No. 3 (Schumann) Piano Sonata No. 23 (Beethoven) Piano Sonata No. 28 (Dussek) Three Piano Sonatas, WoO 47 (Beethoven) Piano Trio No. 3 (Dvořák)
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When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
Kali Fajardo-Anstine was born in Denver, Colorado in 1986. She is the second eldest of six siblings, five sisters and one brother. [1]She struggled with depression [2] growing up because she didn’t feel she fit in culturally or socially with her peers, and turned to books and writing for comfort.
It contains a patent-pending chord voicing engine, three separate synthesizer emulators (a polyphonic virtual analog subtractive synth, an FM synth and a vintage reed piano emulation inspired by a ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
The original manuscript bears the heading "Sonata"; this is interpreted by Gerlach and others to mean that the work had originally been intended as the first movement of a multi-movement piano sonata (cf. the "Razor" Quartet for strings, Op. 55 no. 2, where the first of four movements is a set of double variations in F minor).
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