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"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
"On the Knocking at the Gate in Macbeth" is an essay in Shakespearean criticism by the English author Thomas De Quincey, first published in the October 1823 edition of The London Magazine. It is No. II in his ongoing series "Notes from the Pocket-Book of a Late Opium Eater" which are signed, "X.Y.Z.". [ 1 ]
Nymphs and fairies are generally viewed as beautiful and youthful, but Shakespeare's three witches in Macbeth are ugly, dark, and bizarre. It is believed that he made the change to heighten the suspense and darkness of the play. [6] However, the Chronicles lacked any descriptions of Macbeth's character, so Shakespeare improvised on several ...
Among its themes are the subordinate role expected from women in 19th-century European society, adultery, provincial life (thus drawing comparison with Flaubert's Madame Bovary) and the planning of murder by a woman, hence it having a title inspired by the Shakespearean character Lady Macbeth from his play Macbeth, and echoing the title of ...
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
The Well Wrought Urn is divided into eleven chapters, ten of which attempt close readings of celebrated English poems from verses in Shakespeare's Macbeth to Yeats's "Among School Children." The eleventh, famous chapter, entitled "The Heresy of Paraphrase," is a polemic against the use of paraphrase in describing and criticizing a poem.