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In Al Gadida, the dress is a black flared T dress of black cotton with narrow sleeves. Older dresses were once made of blue fabric. The embroidery is similar to Al Musheyya, but the chest has vertical columns in the wing area, and echoed lines in the point area. There are shoulder bands of diamond patterns.
The dress set wedding fashion trends after the wedding. Large puffed sleeves, a full skirt and "soft touch fabrics" became popular requests. [17] Copies by other dressmakers were available "within hours" of the 1981 wedding. [18] Many bridal experts considered the dress a "gold standard" in wedding fashion in the years after the wedding. [19]
Hartnell's signature was said to be embroidery, and he enjoyed "working with soft, floating fabrics, particularly tulle and chiffon, and with plain, lustrous silks". [2] The dress was made of Chinese silk, with a high neckline, tailored bodice and a short train. Without straps and with long sleeves, it provided a "fit and flare silhouette". [3]
In the early 21st century, many wedding dresses were sleeveless and strapless. [3] Other brides preferred styles with sleeves, higher necklines, and covered backs. [3] The latest wedding dress designs, as of 2024, feature drop-waist silhouettes, convertible gowns, intricate crystal embellishments, tulle, and gowns that display vintage charm. [4]
McQueen's design is a one-shouldered dress in bias-cut beige silk chiffon with a boned upper body and a full-length skirt consisting of hundreds of individual circles of organza sewn in dense layers to the base fabric, resembling the outside of an oyster shell. According to McQueen, the gown took a month's work for three people, who cut and ...
The edge around the sleeves and along the collar up to the front opening and bottom edges are decorated with golden or silver beads and sequins. The cut of Solo kebaya is longer than common Javanese kebaya, usually up to the knee of the wearer. Solo kebaya is known for its elegance, and usually used for Javanese Solo Putri style wedding dress. [53]
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