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The ink is controlled through the use of a stencil, which is placed directly over the paper or textile. This process can only handle one color of ink at a time. Therefore, multi-colored designs must be silk screened several times, with each interval taking time to dry.
Unlike spirit duplicators (where the only ink available is depleted from the master image), mimeograph technology works by forcing a replenishable supply of ink through the stencil master. In theory, the mimeography process could be continued indefinitely, especially if a durable stencil master were used (e.g. a thin metal foil).
Screen printing is a printing technique where a mesh is used to transfer ink (or dye) onto a substrate, except in areas made impermeable to the ink by a blocking stencil.A blade or squeegee is moved across the screen in a "flood stroke" to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate momentarily along a line of contact.
The Cyclostyle duplicating process is a form of stencil copying. A stencil is cut on wax or glazed paper by using a pen-like object with a small rowel or spur-wheel on its tip. A large number of small short lines are cut out in the glazed paper, removing the glaze with the spur-wheel, then ink is applied.
The stencil was wrapped around the drum of the (manual or electrical) machine, which forced ink out through the cut marks on the stencil. The paper had a surface texture (like bond paper), and the ink was black and odorless. A person could use special knives to cut stencils by hand, but handwriting was impractical, because any closed loop ...
Screen printing (occasionally known as "silkscreen", or "serigraphy") creates prints by using a fabric stencil technique; ink is simply pushed through the stencil against the surface of the paper, most often with the aid of a squeegee. Generally, the technique uses a natural or synthetic 'mesh' fabric stretched tightly across a rectangular ...
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