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e. There are differing views on the history of the rosary, a Christian prayer rope, cord or chain used to count specific prayers, commonly as a Marian devotion. The exact origin of the rosary as a prayer is less than clear and subject to debate among scholars. The use of knotted prayer ropes in Christianity goes back to the Desert Fathers in ...
The Rosary [1] (/ ˈ r oʊ z ər i /; Latin: rosarium, in the sense of "crown of roses" or "garland of roses"), [2] also known as the Dominican Rosary [3] [4] (as distinct from other forms of rosary such as the Franciscan Crown, Bridgettine Rosary, Rosary of the Holy Wounds, etc.), refers to a set of prayers used primarily in the Catholic Church, and to the physical string of knots or beads ...
Our Lady of the Rosary (Latin: Beatae Mariae Virginis a Rosario), also known as Our Lady of the Holy Rosary, is a Marian title.. Our Lady of the Rosary of Bullas. The Feast of Our Lady of the Rosary, formerly known as Feast of Our Lady of Victory and Feast of the Holy Rosary is celebrated on 7 October in the General Roman Calendar. 7 October is the anniversary of the decisive victory of the ...
The rosary is one of the most notable features of popular Catholic spirituality. [1] According to Pope John Paul II, rosary devotions are "among the finest and most praiseworthy traditions of Christian contemplation." [2] From its origins in the twelfth century the rosary has been seen as a meditation on the life of Christ, and it is as such ...
Rosaryof the Catholic Church. The Chaplet of the Seven Sorrows, also known as the Rosary of the Seven Sorrows or the Servite Rosary, is a Rosary based prayer that originated with the Servite Order. [1] It is often said in connection with the Seven Dolours of Mary. It is a chaplet consisting of a ring of seven groups of seven beads separated by ...
Preparatory drawing. Hands of Maximilian.In Feast of the Rosary, Dürer shifted the hands closer together, so that his left hand overlapped his right palm. [2]The work was initially commissioned by Jakob Fugger, an intermediary between emperor Maximilian I and Pope Julius II, during the painter's stay as the banker's guest in Augsburg, though it was produced whilst the painter was in Venice.
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