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Phallic architecture consciously or unconsciously creates a symbolic representation of the human penis. [1] Buildings intentionally or unintentionally resembling the human penis are a source of amusement to locals and tourists in various places around the world. Deliberate phallic imagery is found in ancient cultures and in the links to ancient ...
Steeple. In architecture, a steeple is a tall tower on a building, topped by a spire and often incorporating a belfry and other components. Steeples are very common on Christian churches and cathedrals and the use of the term generally connotes a religious structure. They might be stand-alone structures, or incorporated into the entrance or ...
Church architecture refers to the architecture of Christian buildings, such as churches, chapels, convents, seminaries, etc. It has evolved over the two thousand years of the Christian religion, partly by innovation and partly by borrowing other architectural styles as well as responding to changing beliefs, practices and local traditions.
Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples.The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects.
13th-century BC statuette depicting the goddess Asherah nursing the twins Shahar and Shalim. Her symbols, the sacred tree and the ibex, appear on her thighs. The figurine may have been held by women in childbirth. An Asherah pole is a sacred tree or pole that stood near Canaanite religious locations to honor the goddess Asherah. [1]
The architectural form which cathedrals took was largely dependent upon their ritual function as the seat of a bishop. Cathedrals are places where, in common with other Christian churches, the Eucharist is celebrated, the Bible is read, the liturgy is said or sung, prayers are offered and sermons are preached.
Within church architecture, orientation is an arrangement by which the point of main interest in the interior is towards the east (Latin: oriens). The east end is where the altar is placed, often within an apse. The façade and main entrance are accordingly at the west end. The opposite arrangement, in which the church is entered from the east ...
The origin of the minaret is unclear. [18] Many 19th-century and early 20th-century scholars traced the origin of minarets to the Umayyad Caliphate period (661–750) and believed that they imitated the church steeples found in Syria in those times.