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Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture. Intricate works can be achieved by this method.
Brush application is especially useful to cover large areas of a cloth. Batik painting is a development of traditional batik art, producing contemporary (free) motifs or patterns. It may use more colours that are traditional in written batik. [39] Painted batik using brushes
Huichol art was first documented in the very late 19th century by Carl Lumholtz. This includes the making of beaded earrings, necklaces, anklets and even more. [1] What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2]
A wax sculpture is a depiction made using a waxy substance. Often these are effigies, usually of a notable individual, but there are also death masks and scenes with many figures, mostly in relief. The properties of beeswax make it an excellent medium for preparing figures and models, either by modeling or by casting in molds.
Produce wax patterns: Although called wax patterns, pattern materials may also include plastic and frozen mercury. [5] Wax patterns can be produced in one of two ways. In one process, the wax is poured into the mould and swished around until an even coating, usually about 3 mm (0.12 in) thick, covers the inner surface of the mould.
Dhokra (also spelt Dokra) is non–ferrous metal casting using the lost-wax casting technique. This sort of metal casting has been used in India for over 4,000 years and is still used. One of the earliest known lost wax artefacts is the dancing girl of Mohenjo-daro. [1] The product of dhokra artisans are in great demand in domestic and foreign ...
African wax prints, Dutch wax prints[1][2] or Ankara, [3] are a type of common material for clothing in West Africa and Central Africa. They were introduced to West and Central Africans by Dutch merchants during the 19th century, who took inspiration from native Indonesian designs. [4] They began to adapt their designs and colours to suit the ...
Yosegi. Yosegi-zaiku (寄木細工) (lit., " parquet work") is a type of traditional Japanese marquetry developed in the town of Hakone during the Edo period. Resembling a type of mosaic, yosegi is created through the combination of fine oblong rods of wood chosen for their grain, texture and colour, making an intricate surface pattern which is ...
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