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A trio of 1960s street urchins named Crystal, Ronette, and Chiffon set the scene ("Little Shop of Horrors") and comment on the action throughout the show. Seymour Krelborn is a poor young man, an orphan living in an urban skid row. Audrey is a pretty blonde with a fashion sense that leans towards tackiness.
Self-proclaimed nerd Seymour Krelborn, an adolescent boy who works in a flower shop, is friends with a talking Venus flytrap named Junior. [6] Junior sprouts from a 200-million-year-old seed and has the ability to talk and hypnotize people. Only Seymour is aware of Junior's abilities.
Fed on Seymour's blood, Audrey Jr. begins to grow. The shop's revenues increase when customers are lured in to see the plant. Mushnick tells Seymour to refer to him as "Dad" and calls Seymour his son in front of a customer. The plant develops the ability to speak and demands that Seymour feed it. Now anemic, Seymour walks along the railroad ...
In his “Saturday Night Live” monologue, Ramy Youssef called for a free Palestine and for the release of the hostages taken in the Israel-Hamas War. At the top of his monologue, Youssef joked ...
Seymour Krelborn and his co-worker, Audrey, work at Mushnik's Flower Shop in the rough, rundown Skid Row neighborhood of an unnamed city, which they lament that they cannot escape ("Skid Row (Downtown)"). Struggling from a lack of customers, Mr. Mushnik decides to close the store, but Audrey suggests he may have more success by displaying an ...
Jonathan Drew Groff [citation needed] was born in Lancaster, Pennsylvania on March 26, 1985 [1] to Julie and Jim Groff, a horse trainer and a jockey. [2] He has one older brother, David, who is president and COO of WebstaurantStore.
Big Tech’s earnings season is nearly over, with just Amazon and Nvidia left to announce their quarterly performance. And despite uneven reports from some of Silicon Valley’s biggest names so ...
At one point in the story, Buddy finds Seymour's diary and rescues it before anyone can see it. He brings it in the bathroom and reads the only direct, unfiltered dialogue from Seymour. In the later story "Hapworth 16, 1924", Buddy asserts the letter is reproduced "word for word", as if to assure the reader these are Seymour's thoughts and not his.