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Chinese Indonesians (Indonesian: Orang Tionghoa Indonesia), or simply Orang Tionghoa or Tionghoa, [7] are Indonesians whose ancestors arrived from China at some stage in the last eight centuries. Chinese Indonesians are the fourth largest community of Overseas Chinese in the world after Thailand , Malaysia , and the United States .
In the 2000s, ten of his works were reprinted as part of the Kesastraan Melayu Tionghoa dan Kebangsaan Indonesia series. [3] Two of his works, the novel Boenga Roos dari Tjikembang (1927) [4] and the study Atsal Moelanja Timboel Pergerakan Tionghoa di Indonesia (1936/37), [1] have been translated into English.
Saman dance in Lokop, East Aceh Regency during Dutch colonial period Saman dance performance. The dance is done by a group of people without musical instruments. Originally, the group was exclusively men. In performing this dance, the player sings some songs while doing some attractive movements.
Likok Pulo is a traditional dance originating from Aceh, Indonesia. "Likok" means dance moves, while "Pulo" means island. "Likok" means dance moves, while "Pulo" means island. Pulo here refers to a small island at the northern tip of Sumatra Island which is also called Breuh Island, or Beras Island.
Local government of Aceh, among others through Governor's Decree No. 430/543/1986 and Perda No. 2 of 1990 established the Institute of Acehnese Customary and Culture (Lembaga Adat dan Kebudayaan Aceh, LAKA), with the mandate to develop the customs and norms of the communities and customary institutions in Aceh. [40]
Acehnese traditional house. After the independence of Indonesia, the museum became the property of the Regional Government of Aceh. In 1969, under the initiative of Teuku Hamzah Bendahara, the Aceh Museum was moved from the old place (Blang Padang) to its present location in Jalan Sultan Alaidin Mahmudsyan on a 10,800 m2 land.
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The Hikayat Aceh is a 17th-century history of the Aceh Sultanate, which is located on the northern tip of the island of Sumatra, Indonesia. Written in Malay in the Arabic script it chronicles and eulogizes the Acehnese Sultan Iskandar Muda (1583–1636; reigned 1607–1636; national hero of Indonesia since 1993).