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Semiotics of photography is the observation of symbolism used within photography or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way. Roland Barthes was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images.
Photo interpretation at the U.S. National Photographic Interpretation Center during the Cuban Missile Crisis.. Aerial photographic and satellite image interpretation, or just image interpretation when in context, is the act of examining photographic images, particularly airborne and spaceborne, to identify objects and judging their significance. [1]
Most people showing amazing memory abilities use mnemonic strategies, mostly the method of loci. This includes all winners of the annual World Memory Championships and most of the known scientific cases of excellent memories, like Solomon Shereshevsky. Regardless, the following list contains people who have claimed photographic memory. [4]
The term “found photography” can also refer more broadly to art that incorporates found photos as material, assembling or transforming them in some fashion. For example, Stephen Bull, in his introduction to A Companion to Photography, describes artist Joachim Schmid as “a key practitioner of ‘found photography.’” [7]
Form perception is the recognition of visual elements of objects, specifically those to do with shapes, patterns and previously identified important characteristics. An object is perceived by the retina as a two-dimensional image, [1] but the image can vary for the same object in terms of the context with which it is viewed, the apparent size of the object, the angle from which it is viewed ...
If you're being manipulated, you're not alone.
Truth claim, in photography, is a term Tom Gunning uses to describe the prevalent belief traditional photographs accurately depict reality. He states that the truth claim relies on both the indexicality and visual accuracy of photographs.
Allan Paivio's dual-coding theory is a basis of picture superiority effect. Paivio claims that pictures have advantages over words with regards to coding and retrieval of stored memory because pictures are coded more easily and can be retrieved from symbolic mode, while the dual coding process using words is more difficult for both coding and retrieval.