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The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [16] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
Sample of the Egyptian Book of the Dead of the scribe Nebqed, c. 1300 BC. Africa is divided into a great number of ethnic cultures. [17] [18] [19] The continent's cultural regeneration has also been an integral aspect of post-independence nation-building on the continent, with a recognition of the need to harness the cultural resources of Africa to enrich the process of education, requiring ...
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Physical & Occupational Therapy in Geriatrics is a peer-reviewed medical journal that acts as a forum for allied health professionals as well as others with a focus on prevention and rehabilitation of health conditions in older adults and share information on clinical experience, research, and therapeutic practice. It is published by Taylor ...
Black Abstractionism is a term that refers to a modern arts movement that celebrates Black artists of African-American and African ancestry, whether as direct descendants of Africa or of a combined mixed-race heritage, who create work that is not representational, presenting the viewer with abstract expression, imagery, and ideas.
Before the Berlin Conference of 1885, traders and explorers to Africa purchased or stole art as souvenirs and curios, [4] spreading beyond the coast; ivory objects made along African coasts had been collected for centuries, and many were made by Africans for purchase by Europeans, mainly in areas reached by the Portuguese, such as the Afro-Portuguese ivories.
With the 1994 exhibition of East African art objects in Germany, the organisers wanted to make "a previously unknown rich cultural landscape accessible to the wider public." The presentation of the sculptures as works of art from Africa was supplemented by art-historical and ethnological information in the accompanying catalogue. [7]