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Soetoro met the divorced Ann Dunham at the East-West Center while both were students at the University of Hawaii, [10] [11] [12] and married on 15 March 1965. [12] [13] Soetoro, a geographer, [12] [14] returned to Indonesia in 1966 [15] to help map Western New Guinea [16] for the Indonesian government, while Dunham and her son Barack Obama moved into her parents' house in Honolulu to complete ...
As a child in Indonesia, Obama was called "Barry Soetoro", reflecting his stepfather's surname, or "Barry Obama", using his father's surname. [29] [30] [31] When he was ten years old, Obama returned to Honolulu to live with his maternal grandparents, Madelyn and Stanley Dunham, and has resided continuously in the United States since 1971.
On August 9, 2010, the federal government filed an abstract of judgment, a document placing a lien in the amount of $20,000 plus interest on all her real property, [61] prompting Taitz to say, "I will pay the money, and I will continue fighting." [62] On January 10, 2011, the U.S. Supreme Court declined, without comment, to hear the case. [63]
The "other" editor said "Barry Soetoro was the alias that Barack Hussein Obama used during his time in Indonesia" you added "The alias used by US President Barack Hussein Obama during his time in Indonesia". The other editor in California seems to be near San Francisco.
Producing YouTube music videos in collaboration with other musicians. He is best known for his production of music videos for Sam Tsui. Tom Scott: United Kingdom Tom Scott, Tom Scott Plus, Matt and Tom, The Technical Difficulties, Lateral with Tom Scott, Known for his series Things You Might Not Know and other popular science videos Linus Sebastian
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Video categories on YouTube include music videos, video clips, news, short and feature films, songs, documentaries, movie trailers, teasers, TV spots, live streams, vlogs, and more. Most content is generated by individuals, including collaborations between "YouTubers" and corporate sponsors. Established media, news, and entertainment ...
Screen Hub wrote "although McKenna employs expressive aesthetic choices to partially temper the familiarity of his narrative — and to demonstrate his stylistic flair, perhaps most notably in Is This The Real World‘s book-ending shots — it’s the film’s layered performances that help it to carve out its own niche." [5]