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David Playing the Harp by Jan de Bray, 1670.. Knowledge of the biblical period is mostly from literary references in the Bible and post-biblical sources. Religion and music historian Herbert Lockyer, Jr. writes that "music, both vocal and instrumental, was well cultivated among the Hebrews, the New Testament Christians, and the Christian church through the centuries."
Latria or latreia (also known as latreutical worship) is a theological term (Latin Latrīa, from the Greek λατρεία, latreia) used in Catholic theology and Eastern Orthodox theology to mean adoration, a reverence directed only to the Holy Trinity. Latria carries an emphasis on the internal form of worship, rather than external ceremonies.
In the case of an image of a saint, the worship would not be latria but rather dulia, while the Blessed Virgin Mary receives hyperdulia. The worship of whatever type, latria, hyperdulia, or dulia, can be considered to go through the icon, image, or statue: "The honor given to an image reaches to the prototype" (St. John Damascene in Summa ³).
Many churches today use contemporary worship music which includes a range of styles often influenced by popular music. This style began in the late 1960s and became very popular during the 1970s. A distinctive form is the modern, lively black gospel style.
The tract (Latin: tractus) is part of the proper of the Christian liturgical celebration of the Eucharist, used instead of the Alleluia in Lent or Septuagesima, in a Requiem Mass, and other penitential occasions, when the joyousness of an Alleluia is deemed inappropriate.
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as a ritual. Religious songs have been described as a source of strength, as well as a means of easing pain ...
In the context of Christianity, the term bibliolatry may be used to characterize either extreme devotion to the Bible or the doctrine of biblical inerrancy. [11] Supporters of biblical inerrancy point to passages (such as 2 Timothy 3:16–17 [12]), interpreted to say that the Bible, as received, is a complete source of what must be known about God.
Like all who followed the regulative principle, he was extremely cautious about how worship music was utilized, because he believed God laid out very specific directions in the Bible on how one could worship. For example, Calvin initially allowed the use of instruments in worship music, but “advocate[ed] a careful and skillful use” of them ...