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It features cameo-carved doors in maple and walnut, painted glass panels backed with foil, a shingled-roof top, and ornate brass hardware. This tour de force piece is reminiscent of Furness's bank buildings of the late-1870s , although recent scholarship discounts Furness's participation in its design.
As heating systems improved, fireplaces became smaller; as glass technology improved, mirrors became larger, and could cover entire walls, as they soon did at Versailles. New and lighter decorative themes appeared that were often exotic and playful, notably putti or cherubs, and grotesques , arabesques and lace-like dentelle designs.
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu ' ground/pounded gold ') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
They are first-surface mirrors, where the immediate bronze surface is flat, plain and highly polished to be reflective, rather than second-surface mirrors, like modern glass mirrors, where the reflection comes from a backing applied to the glass. Maid holding folding mirror for her mistress, Greece, c. 100 BCE. They are significantly inferior ...
– 1780s cabinet unit with mirror and drawers by Ince and Mayhew, with George Hepplewhite serpentine design, containing George V Art Deco vanity set imported for the Goldsmith & Silversmith Co., £3,000. £7,500 total. – 1921 bronze figure by Ida C. Thoresein (born Gothenburg 1863) of the wife of British Military Attaché in Stockholm.
When glass mirrors first gained widespread usage in Europe during the 16th century, most were silvered with an amalgam of tin and mercury, [6] In 1835 German chemist Justus von Liebig developed a process for depositing silver on the rear surface of a piece of glass; this technique gained wide acceptance after Liebig improved it in 1856.
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