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The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Butterfield has said, "I first used the horse images as a metaphorical substitute for myself – it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield." [ 7 ] She also said, "These first horses were huge plaster mares whose presence was extremely gentle calm.
A sketch may serve a number of purposes: it might record something that the artist sees, it might record or develop an idea for later use or it might be used as a quick way of graphically demonstrating an image, idea or principle. Sketching is the most inexpensive art medium. [5] Sketches can be made in any drawing medium.
John Frederick Herring Sr. (12 September 1795 – 23 September 1865), [1] also known as John Frederick Herring I, was a painter, sign maker and coachman in Victorian England. [2] [3] He painted the 1848 "Pharoah's Chariot Horses" (archaic spelling "Pharoah").
Boy on a white horse, drawing by Theodor Kittelsen (1857–1914). Of the four elements, water is the one most often associated with the horse, [156] whether the animal is assimilated to an aquatic creature, linked to fairy-like beings such as Japan's kappa, or mounted by water deities. He may be born of water himself, or cause it to gush forth ...
Hendry's practice started as a hobby. She has no formal art training and considers herself "not very creative." [4] Her works are primarily hyper-realistic, large scale ink drawings of luxury objects that sometimes take 200 hours to complete. [5] Working with ink on paper her pieces are achieved through layers of what she refers to as scribbles.
George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.
Artists produced two to three new images every week for 64 years (1834–1895), [9] producing more than a million prints by hand-colored lithography. For the original drawings, Currier and Ives employed or used the work of many celebrated artists of the day, including James E. Buttersworth, George Inness, Thomas Nast, Eastman Johnson, and ...
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