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Life writing is an expansive genre that primarily deals with the purposeful recording of personal memories, experiences, opinions, and emotions for different ends. While what actually constitutes life writing has been up for debate throughout history, it has often been defined through the lens of the history of the autobiography genre as well as the concept of the self as it arises in writing.
The term "fictional autobiography" signifies novels about a fictional character written as though the character were writing their own autobiography, meaning that the character is the first-person narrator and that the novel addresses both internal and external experiences of the character. Daniel Defoe's Moll Flanders is an early example.
A distinguish between fully autobiographical novels explained above, and semi-autobiographical novels can be made. The latter, also known as a roman à clef, are fictional works based on the author's own life. Sylvia Plath's The Bell Jar is often considered to be an example of a semi-autobiographical novel. [3]
A distinction between mass biography and literary biography began to form by the middle of the century, reflecting a breach between high culture and middle-class culture. However, the number of biographies in print experienced a rapid growth, thanks to an expanding reading public.
Autoethnography is utilized across a variety of disciplines and can be presented in many forms, including but not limited to "short stories, poetry, fiction, novels, photographic essays, personal essays, journals, fragmented and layered writing, and social science prose."
How to Write an Autobiographical Novel is a 2018 essay collection by American writer Alexander Chee, published by Mariner Books. The essays, spanning Chee's life as a writer and teacher, cover topics ranging from life, literature, politics, higher education, and Korean and queer identities. [ 1 ]
The relationship between the biographical and the fictional may vary within different pieces of biographical fiction. It frequently includes selective information and self-censoring of the past. The characters are often real people or based on real people, but the need for "truthful" representation is less strict than in biography.
Max Saunders defines autobiografiction as a genre of autobiographical fiction that was developed between the 1870s and the 1930s, [2] and was frequently explored by modernist writers. According to Saunders, the commonly used term autobiographical fiction is insufficient to describe the special connection between modernism and autobiography. [2]