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In the 19th century book, A Guide to the Scientific Knowledge of Things Familiar, a proverb concerning magpies is recited: "A single magpie in spring, foul weather will bring". The book further explains that this superstition arises from the habits of pairs of magpies to forage together only when the weather is fine.
Language of flowers – cryptological communication through the use or arrangement of flowers; Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers; List of national flowers – flowers that represent specific geographic areas
The Magpie (French: La Pie) is an oil-on-canvas landscape painting by the French Impressionist Claude Monet, created during the winter of 1868–1869 near the commune of Étretat in Normandy. Monet's patron, Louis Joachim Gaudibert, helped arrange a house in Étretat for Monet's girlfriend Camille Doncieux and their newborn son, allowing Monet ...
Kkachi horangi (까치호랑이) is a prominent genre of minhwa that depicts magpies and tigers. In kkachi horangi paintings, the tiger, which is intentionally given a ridiculous and stupid appearance (hence its nickname "idiot tiger" 바보호랑이), represents authority and the aristocratic yangban, while the dignified magpie represents the common man.
The painting shows a world landscape, with the foreground a woodland clearing containing three peasants dancing to a bagpipes, next to a gallows upon which a magpie is perched. The gallows stands in the centre of the picture, dividing the painting in two, a Mannerist composition with the right side more "open" and left more "closed", [ 1 ] with ...
In Tamil, each of the five geographical thinais are named for a flower that is characteristic of that landscape. In English translation, however, it is customary to use the name of the landscape rather than that of the flower, largely because the flowers lack the cultural association with a specific language in English that they have in Tamil.
"The Magpies" is the most famous poem by New Zealand poet Denis Glover (1912–1980). It helped define New Zealand's distinctive style of poetry. The poem was first published in Glover's 1964 anthology Enter Without Knocking.
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