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The pattern is impressed upon the sheet by a printing roller which is brought down upon the glass as it leaves the main rolls while still soft. This glass shows a pattern in high relief. The glass is then annealed in a lehr. The glass used for this purpose is typically whiter in colour than the clear glasses used for other applications.
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
As bar tracery opened the way for more complex patterns, masons started applying those same patterns to other surfaces as well as the actual window openings. When used on an otherwise solid walls, such motifs are known as blind tracery, a decorative effect first applied on the west facade of the church of St Nicaise at Reims (1230s).
Ama-do are still used to protect the glass; for instance, glass doors and shoji may get two grooves each, and ama-do a single additional groove just outside the glass. [117] Shoji are common in the washitsu of modern Japanese homes; they may also be used instead of curtains in Western-style rooms.
The Baroque glass pattern was made by Fostoria from 1937 to 1965, and used for stemware and many types of tableware. [74] The Chintz pattern was made from 1940 to 1973. This etching pattern is a drawing of branches leaves and flowers, and was usually on the Baroque glass pattern. [75] The Colony pattern discussed earlier was introduced around ...
Identifying carnival glass involves matching patterns, colours, sheen, edges, thickness, and other factors from old manufacturer's trade catalogs, other known examples, or other reference material. Since many manufacturers produced close copies of their rivals' popular patterns, carnival glass identification can be challenging even for an expert.
Marbled and dappled patterns: Some of these patterns are clearly formed through the distortion of the original pattern during the slumping of the glass plate during melting. [7] However, by using spiral and circular patterns of alternating colours producers were also able to deliberately imitate the appearance of natural stones such as sardonyx ...
The principal methods of this are enamelled glass, essentially a technique for painting patterns or images, used for both glass vessels and on stained glass, and glass paint, typically in black, and silver stain, giving yellows to oranges on stained glass. All of these are fired in a kiln or furnace to fix them, and can be extremely durable ...
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