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A khachkar (also spelled as khatchkar) or Armenian cross-stone [1] (Armenian: խաչքար, pronounced [χɑtʃʰˈkʰɑɾ], խաչ xačʿ "cross" + քար kʿar "stone") is a carved, memorial stele bearing a cross, and often with additional motifs such as rosettes, interlaces, and botanical motifs. [2]
The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France [citation needed] and Great Britain in the Early Middle Ages [citation needed]. A type of ringed cross , it became widespread through its use in the stone high crosses erected across the islands, especially in regions evangelised by Irish ...
Combines aspects of the Patriarchal cross, Greek cross, and Calvary cross into a unique variation that may have inspired the later Jerusalem cross. Canterbury cross: A cross with four arms of equal length which widen to a hammer shape at the outside ends. Each arm has a triangular panel inscribed in a triquetra (three-cornered knot) pattern.
The Chicano Art Movement represents groundbreaking movements by Mexican-American artists to establish a unique artistic identity in the United States.Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement (El Movimiento) which began in the 1960s.
The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ.Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1]
The Elevation of the Cross (also called The Raising of the Cross) is the name of two paintings, a very large triptych in oil on panel and a much smaller oil on paper painting. [1] Both pieces were painted by the Flemish artist Peter Paul Rubens in Antwerp , Belgium , the original in 1610 and the latter in 1638. [ 1 ]
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Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]