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There may be any number of beats in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.
The whole note or semibreve has a note head in the shape of a hollow oval—like a half note (or minim)—but with no note stem (see Figure 1). Since it is equal to four quarter notes, it occupies the entire length of a measure in 4 4 time. Other notes are multiples or fractions of the whole note.
To be specific one must or should identify the time signature that a particular type of whole note is based on, i.g. (the 6 most common time signatures and their whole note designations); 2/2 whole note is notated the same as a 4/4 whole note (empty note head) and in this case for a whole rest, one would use a normal whole note rest symbol as ...
In the typical situation, a whole note is 4 beats, half note is 2, quarter note is 1. Further, there are 2 eighth notes per beat, 4 sixteenth notes per beat, and so ...
Note Rest American name British name Relative value Dotted value Double dotted value Triple dotted value; large, duplex longa, or maxima [1] [2] (occasionally octuple note, [3] octuple whole note, [4] or octuple entire musical note) [5]
8 (six beats per bar, with each beat being an eighth note) and 12 8 (twelve beats per bar, with each beat being an eighth note; in practice, the eighth notes are typically put into four groups of three eighth notes. 12 8 is a compound time type of time signature). Many other time signatures exist, such as 2 2 or 3 8. Many short classical music ...
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Additive rhythm in 3+3+2 8 time Additive rhythm 3+3+2 8 time. 1 whole note = 8 eighth notes = 3 + 3 + 2. The term additive rhythm is also often used to refer to what are also incorrectly called asymmetric rhythms and even irregular rhythms [citation needed] – that is, meters which have a regular pattern of beats of uneven length.