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The ataaba (Arabic: عتابا, meaning "plaint" or "dirge", also transliterated 'ataba) is a traditional Arabic musical form sung at weddings, festivals, and other occasions. [1] Popular in the Middle East , it was originally a Bedouin genre, improvised by a solo poet-singer accompanying themselves on the rababa . [ 2 ]
Taarab is a music genre popular in both Tanzania and Kenya. [1] [2] It has been influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent. Taarab rose to prominence in 1928 with the advent of the genre's first star, Siti binti Saad. [3] [4]
Although the popular music was limited to the genre of folk music that served the needs of ritual and social events varied, but the beginnings of a serious musical phenomenon began to form in Palestine with the presence of profound composers of the first generation, such as Augustin Lama, Yousef Khasho, Salvador Arnita and others. the second ...
Umm Kulthum is the most famous example of performants of this music genre. [1] Tarab is typically performed on qanun, ney, oud, and rebab and vocalists sing verse-repeating muwashshah, qudud poems, or mawwal for up to hours. [4] Tarab as a musical genre has evolved over 1,000 years, influenced by other cultures and musical styles. [4]
Apala (or akpala) is a music genre originally developed by the Yoruba people of Nigeria, [1] during the country's history as a colony of the British Empire. It is a percussion-based style that originated in the late 1930s. The rhythms of apala grew more complex over time, and have influenced the likes of Cuban music, whilst gaining popularity ...
The tarab al-āla , meaning "instrumental music", as opposed to religious music which is primarily vocal is predominant. [16] The al-samāʿ wa-l-madīḥ, a religious a cappella style that makes use of very similar melodic, rhythmic and textual materials as Al-Ala. [17] The Gharnati of the school of Tlemcen is also played, mainly, in Oujda.
These lines found within nature and Islamic art are mirrored within the melodies of arabesque music, described as "highly ornamental." [7] [8] The arabesque emerged in the West as a part of the Classical period in music, defined by the return to classical forms of art from Greece and Rome, and in this case, Arab classical culture. [9]
In early 1970s, were music genre became popular and forced its way into the mainstream Yoruba culture alongside other popular genres like sakara, apala, waka music, and sekere. The music was popularized by certain Ibadan singers/songwriters such as, the late Alhaji Dauda Epo-Akara , Ganiyu Kuti or Gani Irefin, and their Lagos counterparts led ...