Search results
Results from the WOW.Com Content Network
Realism is widely regarded as the beginning of the modern art movement due to the push to incorporate modern life and art together. [2] Classical idealism and Romantic emotionalism and drama were avoided equally, and often sordid or untidy elements of subjects were not smoothed over or omitted.
In modern times [15] "sentimental" is a pejorative term that has been casually applied to works of art and literature that exceed the viewer or reader's sense of decorum—the extent of permissible emotion—and standards of taste: "excessiveness" is the criterion; [16] "Meretricious" and "contrived" sham pathos are the hallmark of sentimentality, where the morality that underlies the work is ...
[3] [4] However, unlike the broader galant style, empfindsamer Stil tends to avoid lavish ornamentation. [ 3 ] The dramatic fluidity that was a goal of the empfindsamer Stil has encouraged historians to view mid-century Empfindsamkeit as a slightly earlier parallel to the showier and stormier phase called Sturm und Drang (storm and stress) that ...
Enrique Bostelmann (March 1939 – December 3, 2003) was a Mexican photographer known for his artistic work related to social problems as well as the use of objects and concepts from other artistic disciplines such as sculpture in his work. He did commercial work such as publicity, documentary and photographic reproductions of artwork.
Austrian Biedermeier sofa, c. 1815–1825, mahogany, upholstery (not original), Montreal Museum of Fine Arts (Montreal, Canada) The Biedermeier period was an era in Central European art and culture between 1815 and 1848 during which the middle classes grew in number and artists began producing works appealing to their sensibilities.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Purism does not intend to be a scientific art, which it is in no sense. Cubism has become a decorative art of romantic ornamentism. There is a hierarchy in the arts: decorative art is at the base, the human figure at the summit. Painting is as good as the intrinsic qualities of its plastic elements, not their representative or narrative ...
Francisco Goya was called "the last great painter in whose art thought and observation were balanced and combined to form a faultless unity". [106] But the extent to which he was a Romantic is a complex question. In Spain, there was still a struggle to introduce the values of the Enlightenment, in which Goya saw himself as a participant.