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Marcus Tullius Cicero [a] (/ ˈ s ɪ s ə r oʊ / SISS-ə-roh; Latin: [ˈmaːrkʊs ˈtʊlli.ʊs ˈkɪkɛroː]; 3 January 106 BC – 7 December 43 BC) was a Roman statesman, lawyer, scholar, philosopher, orator, writer and Academic skeptic, [4] who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. [5]
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to
The writings of Marcus Tullius Cicero constitute one of the most renowned collections of historical and philosophical work in all of classical antiquity. Cicero was a Roman politician , lawyer , orator , political theorist , philosopher , and constitutionalist who lived during the years of 106–43 BC.
"Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany "Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare.
Cicero references also the ancient Latin poets and quotes from their works. [8] The Tusculan Disputations is the locus classicus of the legend of the Sword of Damocles , [ 16 ] as well as of the sole mention of cultura animi as an agricultural metaphor for human culture .
One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand.
Cicero's Brutus (also known as De claris oratoribus) is a history of Roman oratory. It is written in the form of a dialogue, in which Marcus Junius Brutus and Titus Pomponius Atticus ask Cicero to describe the qualities of all the leading Roman orators up to their time. Cicero then attempts to propose a reconstruction of Roman history. [1]
The traditional origin is said to be a curse set upon the play by a coven of witches, angry at Shakespeare for using a real spell. [2] One hypothesis for the origin of this superstition is that Macbeth, being a popular play, was commonly put on by theatres in financial trouble, or that the high production costs of Macbeth put theatres in financial trouble.