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Grecian columns of singular disproportion form the main structure of bedsteads, tables, and cabinets. These columns are noted for their clumsy thickness, and in one of the first misapprehensions of the classic that mark the style, they rise from huge spherical clusters of foliage, usually the acanthus. At about half their length, these columns ...
The Emmet Building's ornamentation was notable because Barney & Colt tested the limits of terracotta and the skills of the sculptors by calling for "larger-than standard pieces", [5] The crown of the building consists of five-stories "liberally encrusted with Renaissance motifs including baluster columns, elaborate cornices, foliate friezes ...
Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a handrail, coping, or ornamental detail is known as a balustrade. [1] [2] The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier.
The revival of classical architectural elements, including Classical order columns, was central to Renaissance architecture, built between the 15th and 17th centuries in Europe. But columns were used sparingly in the Early Renaissance, except for courtyard arcades, and fluting is slow to appear.
The columns and windows show a progression towards the centre. One of the first true Renaissance façades was Pienza Cathedral (1459–62), which has been attributed to the Florentine architect Bernardo Gambarelli (known as Rossellino) with Leone Battista Alberti perhaps having some responsibility in its design as well.
The Ionic column is always more slender than the Doric; therefore, it always has a base: [5] Ionic columns are eight and nine column-diameters tall, and even more in the Antebellum colonnades of late American Greek Revival plantation houses. [citation needed] Ionic columns are most often fluted. After a little early experimentation, the number ...
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