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The discography of English music producer Sophie consists of two studio albums, one compilation album, one remix album, one extended play, 20 singles, and 12 official remixes. Sophie was also known for production and writing work for other artists such as Charli XCX , Madonna , Kim Petras , Liz , and MØ among others.
Pages in category "Song recordings produced by Sophie (musician)" The following 38 pages are in this category, out of 38 total. This list may not reflect recent changes .
The Box, originally named the Video Jukebox Network, was an American broadcast, cable and satellite television channel that operated from 1985 to 2001. The network focused on music videos, which through a change in format in the early 1990s, were selected by viewer request via telephone; as such, unlike competing networks (such as MTV and VH1), the videos were not broadcast on a set rotation.
Sophie Xeon (/ ˈ z iː ɒ n /; 17 September 1986 – 30 January 2021), known mononymously as SOPHIE (stylized in all caps), was an English [7] [8] [9] music producer, songwriter, and DJ. Her work is known for its brash take on pop music and is distinguished by experimental sound design , "sugary" synthesized textures, and incorporation of ...
SOPHIE, the pioneering Scottish producer who blended electronic and avant-pop music who worked with the likes of Madonna, Charli XCX and Vince Staples, has died at the age of 34. According to a ...
As the Box Tops, they entered the studio under the guidance of producer Dan Penn to record Wayne Carson Thompson's song "The Letter".Though under two minutes in length, the record was an international hit by September 1967, reaching the Hot 100's number-one position for four weeks, selling over four million copies, earning a gold disc, and receiving two Grammy Award nominations. [2]
"Lemonade" is a song by the English producer Sophie, released as a single on 28 July 2014 by the label Numbers [2] [3] [4] and on vinyl with "Hard" as the B-side. [5] It features vocal contributions from Nabihah Iqbal. [6] [7] The song appeared on various best-of year-end single polls. [8] "
Mark Richardson of Pitchfork lauded the "enduring brilliance" of the album's first two singles, but was less positive about the more recent material and suggested that the album format did the tracks a disservice: "music this compressed and this syrupy is best heard in small doses, before your ear gets tired listening to it." [29]