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A woman making a tray landscape showing the full moon. Ukiyo-e woodblock print by Yōshū Chikanobu, 1899. Bonseki (盆石, "tray rocks") is the ancient Japanese art of creating miniature landscapes on black trays using white sand, pebbles, and small rocks.
Gihachiro Okuyama (奥山 儀八郎, Okuyama Gihachirō, February 17, 1907 – October 1, 1981) was a 20th-century Japanese commercial artist and woodblock printmaker.He was a prolific artist of the shin-hanga and sōsaku-hanga styles.
Plate used to print ukiyo-e. Ukiyo-e is a Japanese printmaking technique which flourished in the 17th through 19th centuries. Its artists produced woodblock prints and paintings of subjects including female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Japanese flora and fauna; and erotica.
The Great Wave off Kanagawa, the best known print in the series (20th century reprint). Mount Fuji is in the center distance.. Thirty-six Views of Mount Fuji (Japanese: 富嶽三十六景, Hepburn: Fugaku Sanjūrokkei) is a series of landscape prints by the Japanese ukiyo-e artist Hokusai (1760–1849).
Generally, haboku relies on a layered contrast black, gray and white, whereas hatsuboku utilizes "splashes" of ink, without leaving clear contours or outlines. [1] The style apparently started in the Tang dynasty China with the painter Wang Qia (王洽, fl. 785–805, also known as Wang Mo), but unfortunately none of his paintings remains.
In 1468, at the age of 48, Sesshū embarked on a trip to Ming China to study contemporary modes and styles of landscape paintings. Though initially studying under the auspices of Tenshō Shūbun and Josetsu, the expedition and visits to vast regions and cities from Beijing and Ningbo helped expanded and developed the styles that would be utilized in Autumn and Winter Landscapes.
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