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Heartland Alliance is an anti-poverty organization based in Chicago, with a historical focus on serving American immigrant communities. Heartland Alliance devotes the bulk of its funding to initiatives that address poverty through health and housing, with further programs centered on jobs, justice, and international work. [ 1 ]
The National Immigrant Justice Center (NIJC) is a center affiliated with the Heartland Alliance in the United States that "is dedicated to ensuring human rights protections and access to justice for all immigrants, refugees and asylum seekers." [1] Its executive director is Mary Meg McCarthy [2] [3] and it is headquartered in Chicago. [1]
In 2011 it became part of Heartland Alliance [5] [6] [7] and then became Vital Bridges Food Program as part of the consolidation of Chicago Community Response, Open Hand Chicago, and The HIV Coalition. [8] In 1994 Open Hand Chicago was inducted into the Chicago LGBT Hall of Fame. [9]
House Speaker Mike Johnson speaks with Republican members of Congress on Wednesday in Eagle Pass, Texas. Johnson led about 60 fellow Republicans in Congress on a visit to the Mexican border.
"Nelson Mandela" (known in some versions as "Free Nelson Mandela") is a song written by British musician Jerry Dammers, and performed by the band the Special A.K.A. with a lead vocal by Stan Campbell. It was first released on the single "Nelson Mandela"/"Break Down the Door" in 1984.
Amy awakens in the hospital and learns that her mother died in the accident. Amy's sister Lou returns from New York City to help. Grandpa Jack refuses to put Spartan down and brings the horse back to Heartland, the family horse ranch, hoping that Amy can help him. Before she can help Spartan, Amy has to come to terms with what happened to her mom.
"Close the Door" is a hit song written by Kenny Gamble and Leon Huff. [1] It was a hit for Teddy Pendergrass in 1978, and was released from his second solo album, Life Is a Song Worth Singing . Chart performance
"Been Down So Long" is a song by the American rock band the Doors. It appears as the third track on L.A. Woman , the last studio album that lead singer Jim Morrison recorded with the group. It has been called, notably by critic Robert Christgau , as a "take-off" on the album.