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Kazuma Kaneko (金子 一馬, Kaneko Kazuma, born September 20, 1964) is a Japanese video game artist and designer for Japanese video game company Atlus.Kaneko is best known for his work in the Megami Tensei series of video games, acting as a character designer across multiple games.
Yūsaku Kamekura's best known work is the logo and poster series he designed for the 1964 Summer Olympics, [10] reportedly created only a few hours before the design competition deadline. [11] Kamekura eschewed the classical imagery traditionally associated with the Olympics in favor of a stark, modernist aesthetic, featuring the Olympic rings ...
A Japanese chimera with the features of the beasts from the Chinese Zodiac: a rat's head, rabbit ears, ox horns, a horse's mane, a rooster's comb, a sheep's beard, a dragon's neck, a back like that of a boar, a tiger's shoulders and belly, monkey arms, a dog's hindquarters, and a snake's tail.
In June 1936, a poster caught his eye, an appeal for volunteers to join the Yokaren (flight reserve enlistee training program). Nishizawa applied and qualified as a student pilot in Class Otsu No. 7 of the Japanese Navy Air Force (JNAF). He completed his flight training course in March 1939, graduating 16th out of a class of 71.
Suzuhito Yasuda (ヤスダ スズヒト, Yasuda Suzuhito) is a Japanese manga artist and illustrator. He is known as the creator of Yozakura Quartet and for illustrating the light novel series Durarara!! and Is It Wrong to Try to Pick Up Girls in a Dungeon?, all of which have been adapted into anime series.
The explanation is that in Japanese, まめ, マメ (mame) can also be written as 魔目 (mame), meaning the devil's eye, or 魔滅 (mametsu), meaning to destroy the devil. During the Edo period (1603–1867), the custom spread to Shinto shrines , Buddhist temples and the general public.
Ikko Tanaka (田中 一光, Tanaka Ikkō, January 13, 1930 – January 10, 2002) was a Japanese graphic designer.. Tanaka is widely recognized for his prolific body of interdisciplinary work, which includes graphic identity and visual matter for brands and corporations including Seibu Department Stores, Mazda, Issey Miyake, Hanae Mori, and Expo 85.
In modern interpretations of traditional Japanese arts and culture, ma is an artistic interpretation of an empty space, often holding as much importance as the rest of an artwork and focusing the viewer on the intention of negative space in an art piece. The concept of space as a positive entity is opposed to the absence of such a principle in ...