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Many artists have produced works which fit the definition of fantastic art. Some, such as Nicholas Roerich, worked almost exclusively in the genre, others such as Hieronymus Bosch, who has been described as the first "fantastic" artist in the Western tradition, [2] produced works both with and without fantastic elements, and for artists such as Francisco de Goya, fantastic works were only a ...
This is a list of science fiction and fantasy artists, notable and well-known 20th- and 21st-century artists who have created book covers or interior illustrations for books, or who have had their own books or comic books of fantastic art with science fiction or fantasy themes published. Artists known exclusively for their work in comic books ...
Even the most fantastic myths, legends and fairy tales differ from modern fantasy genre in three respects: Modern genre fantasy postulates a different reality, either a fantasy world separated from ours, or a hidden fantasy side of our own world. In addition, the rules, geography, history, etc. of this world tend to be defined, even if they are ...
Jackson rejects the notion of the fantastic genre as a simple vessel for wish fulfillment that transcends human reality in worlds presented as superior to our own, instead positing that the genre is inseparable from real life, particularly the social and cultural contexts within which each work of the fantastic is produced.
A large-format book with forty color plates, The Fantastic Art of Sulamith Wulfing was edited by David Larkin. [2] Published in 1977, the book is now out of print. During the 1980s, a series of limited edition commemorative plates featuring Wülfing's art were issued.
At 734 pages, “Harry Potter and the Goblet of Fire” was a monster — the biggest book many young fans had ever contemplated reading. Getting through it took effort, albeit the kind that ...
Spectrum was initially conceived by Arnie Fenner [1] and Cathy Fenner. [2] Inspired by the popularity of Tomorrow and Beyond, [3] an image anthology edited by Ian Summers in 1978, the annual publication from The Society of Illustrators, [4] and with very successful exhibitions devoted to fantastic art at the New Britain Museum of American Art (1980), [5] and at the Society of Illustrators ...
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