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Fender floating tremolo on a Jazzmaster. The floating tremolo was designed by Fender for the Fender Jazzmaster, and first appeared with the release of the Jazzmaster in 1958. A larger, heavier and more complex vibrato mechanism than the synchronized tremolo and promoted over it by Fender as their premium "tremolo arm" mechanism, it never ...
S-Style – replaces a Fender Stratocaster or similar guitar’s tremolo. The Stetsbar's base plate clamps into the existing tremolo cavity. Stetsbar tremolo/vibrato system mounted on a Fender Stratocaster guitar; Hard Tail – mounts on guitars with a 5-hole hard tail mount point, such as certain Fender Stratocasters and Squier Telecasters ...
Bigsby B50 Tremolo Hardware. The Bigsby vibrato tailpiece (or Bigsby for short) is a type of mechanical vibrato device for electric guitar designed by Paul Bigsby and produced by the Bigsby Electric Guitar Company [citation needed] (currently an independently operated subsidiary of Fender Musical Instruments Corporation). The device allows ...
The stoptail bridge consists of two parts: an adjustable fixed bridge piece, such as a Tune-o-matic and a separate stopbar (or stop bar) tailpiece. A stopbar tailpiece is, as the name implies, a bar-shaped formed metal piece commonly made of pot metal or zinc alloys although aluminum and brass may be used. Many manufacturers claim that the use ...
Floyd D. Rose first started working on what became the Floyd Rose Tremolo in 1976. [3] He was playing in a rock band at the time, inspired by Jimi Hendrix and Deep Purple.He frequently used the vibrato bar but could not make his guitars stay in tune using traditional approaches like lubricating the nut, or winding the strings as little as possible around the tuning pegs.
The effect produced is actually a tremolo. Some electric guitars (in particular the Fender Stratocaster) use a lever branded a "tremolo arm" [3] or "whammy bar" that allows a performer to lower or (usually, to some extent) raise the pitch of a note or chord, an effect properly termed vibrato or "pitch bend".
In the 1950s and 1960s, the company produced vibrato-equipped amplifiers which were used by musicians including Buddy Holly [4] and Lonnie Mack. The 'real' vibrato effect called F.M. Vibrato [ 5 ] [ 6 ] was distinct in sound and design from the more common tremolo circuits found on Fender amplifiers.
In 1982, Fender introduced a revised version of the Bullet , including two bass models. This series featured a double cutaway body similar but much smaller than the Fender Stratocaster without body contouring and therefore almost the same shape as the Mustang and Duo-Sonic that the Bullet replaced. Maple was the only neck option and the ...
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