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White-ground vase painting often occurred in association with red-figure vase painting. Especially typical of this are kylikes with a white-ground interior and a red-figure exterior image. White-ground painting is less durable than black- or red-figure, which is why such vases were primarily used as votives and grave vessels.
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Vase with White and Red Carnations is a work by Vincent van Gogh. It is an oil on canvas painting in a private collection, painted in the summer of 1886 in Paris. [ 1 ] The painting depicts white and red carnation flowers in a gold and dark brown vase.
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They have in China a very fine clay with which they make vases which are as transparent as glass; water is seen through them. The vases are made of clay. This era's potteries are exemplified by their colour and vibrancy, which was largely abandoned by the succeeding ages due to the adoption of Neo-Confucianism which opposed opulent displays and ...
Vase with Daisies and Anemones, 1887, Kröller-Müller Museum, Otterlo (F323) Vase with Daisies and Anemones (F323), also known as Flowers in a Blue Vase, was painted late in Van Gogh's stay in Paris. The vase holds a lively selection of daisies and anemones made with a range of colors. Dark red-brown is enlivened by shades of yellow, pink and ...
Rubin's vase is an optical illusion in which the negative space around the vase forms the silhouettes of two faces in profile, a well-known example of figure-ground reversal by emphasizing that negative space. FedEx's logo displays an arrow between letters E and x. Not being in full silhouette, the effect is subtle and may not be noticed.
The Rubin vase faces–vase drawing that Danish psychologist Edgar Rubin described [8] [9] exemplifies one of the key aspects of figure–ground organization, edge-assignment and its effect on shape perception. In the faces–vase drawing, the perceived shape depends critically on the direction in which the border (edge) between the black and ...