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The samba line dance is an example of a two-wall dance. While doing the "volte" step, the dancers turn 180 degrees to face a new wall. [citation needed] In a four-wall dance, the direction faced at the end of the sequence is 90 degrees to the right or left from the direction in which they faced at the beginning (quarter turn). As a result, the ...
The term "música instrumental Brasileira", which literally means "Brazilian instrumental music", is used in Brazil as an umbrella term to refer to jazz as well as several instrumental forms of art music drawing on national styles such as choro, samba and bossa nova. The term's ambiguity allows for the fact that Brazilian musicians themselves ...
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Samba is a lively dance of Afro-Brazilian origin in 2/4(2 by 4) time danced to samba music. The term "baby" originally referred to any of several Latin duet dances with origins from the Congo and Angola. This is a Brazilian dance and recognised around the world as a symbol of Brazil and the Brazilian Carnival. [1]
Samba-jazz or jazz samba is an instrumental subgenre of samba that emerged in the bossa nova ambit in the late 1950s and early 1960s in Brazil. [1] [2]The style consolidated the approach of Brazilian samba with American jazz, [3] especially bebop and hard bop, jazzy styles quite experienced by Brazilian musicians in scope of gafieiras and nightclubs especially in Rio de Janeiro.
Latin dance is a mix of various dance styles from cultures around the world, creating a dance style encompassing this new age of Latin culture. [9] Influences deriving from West African, African American, and European dance styles were all comprised in the making of many of these Latin dances such as: Salsa , Mambo , Merengue , Rumba, Cha-cha ...
Standards from these sessions include Shorter's "Footprints" (1966) and Eddie Harris's "Freedom Jazz Dance" (1966). In Brazil, a new style of music called bossa nova evolved in the late 1950s. Based on Brazilian samba as well as jazz, bossa nova was championed by João Gilberto, Antonio Carlos Jobim and Luiz Bonfá.
Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.