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"In My Time of Dying" (also called "Jesus Make Up My Dying Bed" or a variation thereof) is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness".
In My Time of Dying: How I Came Face to Face with the Idea of an Afterlife is a nonfiction book by Sebastian Junger that was first published by Simon & Schuster in May 2024. The books relates Junger's near death experience during surgery for an abdominal hemorrhage. While on the operating table, Junger saw a reassuring vision of his father, and ...
The Be Good Tanyas formed in 1999 in Vancouver, British Columbia. Samantha Parton had been living on the road as a tree planter and wandering and making music, when she met Jolie Holland. The two began playing songs, including one called "Be Good Tanya", which had been written by a friend of Holland's. When the duo launched the Be Good Tanyas ...
Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, [1][2] it was the group's first album to be released under their new label, Swan Song Records. The band wrote and recorded eight new songs for the ...
Some of the best rock, pop, jazz and country albums were released in 1971, including classics by David Bowie, Dolly Parton, Led Zeppelin, and Miles Davis. These albums all turn 50 years old in 2021.
file. help. " It's Alright, Ma (I'm Only Bleeding) " is a song written and performed by American singer-songwriter Bob Dylan and first released on his 1965 album Bringing It All Back Home. It was written in the summer of 1964, first performed live on October 10, 1964, and recorded on January 15, 1965. It is described by Dylan biographer Howard ...
Robert Plant. Producer (s) Jimmy Page. " Ten Years Gone " is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. Record producer Rick Rubin has described the song as, "A deep, reflective piece with hypnotic, interweaving riffs. Light and dark, shadow and glare. It sounds like nature coming through the speakers."
In a contemporary review of Led Zeppelin III, Lester Bangs of Rolling Stone wrote that the track "represents the obligatory slow and lethally dull seven-minute blues jam." [11] Robert Christgau was more enthusiastic in Newsday; "with John Paul Jones providing a great thick wall of organ behind Plant and Page", he regarded it as "the ultimate power blues".