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Artha, as a goal of life, involves the pursuit of wealth and power. Some traditions see it as the primary human objective, as noted in Manusmriti (2.224). The Arthashastra (1.7.6) emphasizes Artha's importance, with Kautilya stating that material gain is the most crucial of the three ends of life, as it supports the realization of dharma and ...
The proper pursuit of artha is considered an important aim of human life in Hinduism. [ 21 ] [ 22 ] Kama – signifies desire, wish, passion, emotions, pleasure of the senses, the aesthetic enjoyment of life, affection, or love, with or without lustful connotations. [ 23 ]
—Arthashastra Books 2.10, 6-7, 10 [40] A notable structure of the treatise is that while all chapters are primarily prose, each transitions into a poetic verse towards its end, as a marker, a style that is found in many ancient Hindu Sanskrit texts where the changing poetic meter or style of writing is used as a syntax code to silently signal ...
Together with smṛti ("that which is remembered, tradition": Dharmaśāstra, Hindu Epics, Puranas), ācāra (good custom), and ātmatuṣṭi ("what is pleasing to oneself"), it provides pramana (means of knowledge) and sources of dharma, as expressed in Classical Hindu law, philosophy, rituals and customs.
Āśrama (Sanskrit: आश्रम) is a system of stages of life discussed in Hindu texts of the ancient and medieval eras. [1] The four asramas are: Brahmacharya (student), Gṛhastha (householder), Vanaprastha (forest walker/forest dweller), and Sannyasa (renunciate). [2] The Asrama system is one facet of the Dharma concept in Hinduism. [3]
Gṛhastha is considered to be the most intense of all four stages, where a man or woman pursues all four goals of life, with greater emphasis on first three - Dharma, Artha and Kama. [4] [5] [12] In contrast, Sannyasa is the stage where the individual renounces Artha and Kama, and pursues Moksha with a single minded pursuit. [4] [7]
Hindu art found its first inspiration in the Buddhist art of Mathura. The three Vedic gods Indra , Brahma and Surya were actually first depicted in Buddhist sculpture, as attendants in scenes commemorating the life of the Buddha, such as his Birth, his Descent from the Trāyastriṃśa Heaven , or his retreat in the Indrasala Cave . [ 13 ]
The Book of Poruḷ, in full Poruṭpāl (Tamil: பொருட்பால்; lit. 'division of wealth' or 'polity'), also known as the Book of Wealth, Book of Polity, the Second Book or Book Two in translated versions, is the second of the three books or parts of the Kural literature, authored by the ancient Indian philosopher Valluvar.