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  2. Faux painting - Wikipedia

    en.wikipedia.org/wiki/Faux_painting

    Marbleizing or faux marbling is used to make walls and furniture look like real marble. This can be done using either plaster or glaze techniques. Fresco is a simple technique, uses mixtures of tint and joint compound to add mottled color and subtle texture to plain walls,

  3. Scagliola - Wikipedia

    en.wikipedia.org/wiki/Scagliola

    Italian scagliola top, second half of the 18th century. Scagliola (from the Italian scaglia, meaning "chips") is a type of fine plaster used in architecture and sculpture.The same term identifies the technique for producing columns, sculptures, and other architectural elements that resemble inlays in marble. [1]

  4. Marbleizing - Wikipedia

    en.wikipedia.org/wiki/Marbleizing

    Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble.It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.

  5. Marmorino - Wikipedia

    en.wikipedia.org/wiki/Marmorino

    Marmorino is made from crushed marble and lime putty, which can be tinted to give a wide range of colours. This can then be applied to make many textures, from polished marble to natural stone effects. Widely used in Italy, its appeal has spread through North America especially, but now worldwide. Because of the hours of workmanship, the ...

  6. Stucco - Wikipedia

    en.wikipedia.org/wiki/Stucco

    Stucco used as an exterior coating on a residential building. Rock dash stucco used as an exterior coating on a house on Canada's west coast. The chips of quartz, stone, and colored glass measure approx. 3–6 mm (1/8–1/4"). The basic composition of stucco is lime, water, and sand. [4]

  7. Buon fresco - Wikipedia

    en.wikipedia.org/wiki/Buon_fresco

    In medieval and Renaissance Italy, a wall to be frescoed was first prepared with a rough, thick undercoat of plaster known as the arriccio. When this was dry, assistants copied the master painter's composition onto it with reddish-brown pigment or charcoal. The artist made any necessary adjustments. [4]

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