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The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .
Chilkat weaving and Ravenstail weaving are regarded as some of the most difficult weaving techniques in the world. A single Chilkat blanket can take an entire year to weave. In both techniques, dog, mountain goat, or sheep wool and shredded cedar bark are combined to create textiles featuring curvilinear formline designs.
A binakol design. Binakael (binakel, binakol, binakul [1]) (transliterated, "to do a sphere") is a type of weaving pattern traditional in the Philippines. Patterns consisting entirely of straight lines are woven so as to create the illusion of curves and volumes. [2] A sense of motion is also sought. [3] Designs are geometric, but often ...
Magdalena Gamayo, a native of the cotton farming Barangay of Lumbaan-Bicbica, Pinili, Ilocos Norte, [3] learned the Ilocano weaving tradition of making inabel from her aunt at age 16. She taught herself on how to execute the traditional patterns of binakol , inuritan (geometric design), kusikos (orange-like spiral forms), and sinan-sabong ...
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Iva Casuse Honwynum (also Iva Honyestewa and Iva Lee Honyestewa; born 1964) is a Hopi/Navajo artist, social activist, and cultural practitioner. A Native American, Honwynum is best known for her woven baskets and figurative sculpture.
Monon was born on December 12, 1920, [2] and grew up in Bituag, Bansalan in Davao del Sur and watched her mother weave ikat a traditional abaca fabric when she was a child, She asked her mother how to use the loom at age 12 and learned how to weave within a few months. [3] She weaved a design for three to four months.
T'nalak cloth is woven exclusively by women who have received the designs for the weave in their dreams, which they believe are a gift from Fu Dalu, the T'boli Goddess of abacá. [ 1 ] The rest of the community, including the men, are able to participate in the production of T'nalak by carefully selecting, stripping, and sun-drying the abacá ...