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In Christian iconography, Christ Pantocrator (‹See Tfd› Greek: Χριστὸς Παντοκράτωρ, lit. 'Christ the Almighty') [1] is a specific depiction of Christ. Pantocrator or Pantokrator, literally ruler of all, but usually translated as "Almighty" or "all-powerful", is derived from one of many names of God in Judaism.
Christ Pantocrator (Sinai) Christ Pantocrator of Saint Catherine's Monastery is one of the oldest Byzantine religious icons, dating from the 6th century AD. [1] The earliest known surviving depiction of Jesus Christ as Pantocrator (literally ruler of all), it is regarded by historians and scholars among the most important and recognizable works ...
The word Pantocrator defines Christ as the ruler and judge of heaven and earth. [6] The earliest known depiction of Christ as Christ Pantocrator (Sinai) was painted during the 6th century. The work of art is part of the collection of Saint Catherine's Monastery. Church domes became a common site of Pantocrator images in the Greek and Italian world.
The Healing of the Paralytic – one of the oldest known depictions of Jesus, [ 18 ] from the Syrian city of Dura Europos, dating from about 235. Initially Jesus was represented indirectly by pictogram symbols such as the ichthys (fish), the peacock, or an anchor (the Labarum or Chi-Rho was a later development).
Christ in majesty in a mandorla, surrounded by emblems of the evangelists: ivory plaques on a wooden coffret, Cologne, first half of the 13th century (Musée de Cluny) Christ in Majesty or Christ in Glory (Latin: Maiestas Domini) [1] is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the ...
Icon of Christ the Pantocrator.The Icon represents the dual nature of Christ, illustrating traits of both man and God. [1]Dyophysitism (/ d aɪ ˈ ɒ f ɪ s aɪ t ɪ z əm /; [2] from Greek δύο dyo, "two" and φύσις physis, "nature") is the Christological position that Jesus Christ is one person of one substance and one hypostasis, with two distinct, inseparable natures, divine and ...
e. In Christian theology, the Harrowing of Hell (Latin: Descensus Christi ad Inferos, "the descent of Christ into Hell " or Hades) [a] is the period of time between the Crucifixion of Jesus and his resurrection. In triumphant descent, Christ brought salvation to the souls held captive there since the beginning of the world.
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.
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