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Some have found no link between the aesthetic and the moral (i.e. being morally reprehensible does not deny an artwork its art status; it does not cease having aesthetic value no matter how depraved some might see it being), whereas others, who have not gone down the explicitly Platonist route, have argued that the relationship is one akin to ...
The artists and writers of Aesthetic style tended to profess that the Arts should provide refined sensuous pleasure, rather than convey moral or sentimental messages. As a consequence, they did not accept John Ruskin, Matthew Arnold, and George MacDonald's conception of art as something moral or useful, "Art for truth's sake". [8]
Art for art's sake—the usual English rendering of l'art pour l'art (pronounced [laʁ puʁ laʁ]), a French slogan from the latter half of the 19th century—is a phrase that expresses the philosophy that 'true' art is utterly independent of all social values and utilitarian functions, be they didactic, moral, or political.
Slater holds that the "full field" of aesthetics is broad, but in a narrow sense it can be limited to the theory of beauty, excluding the philosophy of art. [1] Aesthetics typically considers questions of beauty as well as of art. It examines topics such as art works, aesthetic experience, and aesthetic judgment. [15]
The aesthetic experience temporarily emancipates the subject from the Will's domination and raises them to a level of pure perception. "On the occurrence of an aesthetic appreciation, the will thereby vanishes entirely from consciousness." [8] Genuine art cannot be created by anyone who merely follows standard artistic rules. A genius is ...
Aesthetics and Morality is a 2007 book by Elisabeth Schellekens, in which the author provides an account of the main ideas and debates at the intersection of aesthetics and moral philosophy. [ 1 ] [ 2 ]
The last two to three decades showed increased public and art community interest in artistic integrity due to the increasing commercial success of certain artforms like film and music alongside additional questioning of aesthetic value due to the politicization and investment of the art industry with this lucrative expectation of monetary benefits.
In Aesthetic Theory, Adorno is concerned not only with such standard aesthetic preoccupations as the function of beauty and sublimity in art, [2] but with the relations between art and society. He feels that modern art's freedom from such restrictions as cult and imperial functions that had plagued previous eras of art has led to art's expanded ...