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These youths became known as mods, a youth subculture noted for its consumerism and devotion to fashion, music, and scooters. [7] Working class mods chose practical clothing styles that suited their lifestyle and employment circumstances: work boots or army boots, straight-leg jeans or Sta-Prest trousers, button-down
The emphasis on clothing and a stylised look for women demonstrated the "same fussiness for detail in clothes" as their male mod counterparts. [ 75 ] Shari Benstock and Suzanne Ferriss claimed that the emphasis in the mod subculture on consumerism and shopping was the "ultimate affront to male working-class traditions" in the United Kingdom ...
Skinheads in London in 1981. Trojan skinheads (also known as traditional skinheads or trads) are individuals who identify with the original British skinhead subculture of the middle 1960s, when ska, rocksteady, reggae, and soul music were popular, and there was a heavy emphasis on mod-influenced clothing styles.
This originated with a small number of individuals such as Hoxton Tom McCourt, who also became involved with the mod revival of the late 1970s. In the early- to mid-1970s, many suedeheads also owned Lambretta scooters and there was a type of mini-mod revival. It was a crossover movement based on style, music, clothes and was most common amongst ...
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The "Dolly Girl" was another archetype for young females in the 1960s. She emerged in the mid-1960s, and her defining characteristic is the iconic miniskirt. "Dolly Girls" also sported long hair, slightly teased, and childish-looking clothing. Clothes were worn tight fitting, sometimes even purchased from a children's section.
They were an important feature of the post-punk 1980s Gothic look which featured long, back-combed hair, pale skin, dark eyeshadow, eyeliner, and lipstick, black nail varnish, spiked bracelets and dog-collars, black clothing (often made of gabardine), and leather or velvet trimmed in lace or fishnet material. Corsets were often worn by girls.
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