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The Dreamachine (a contraction of Dream Machine), invented in 1959 by Brion Gysin and Ian Sommerville, is a stroboscopic flickering light art device that produces eidetic visual stimuli. Description [ edit ]
Dream Machine is a text-to-video model created by Luma Labs and launched in June 2024. It generates video output based on user prompts or still images. Dream Machine has been noted for its ability to realistically capture motion, while some critics have remarked upon the lack of transparency about its training data.
For certain markets and eras, Sony would use other commercial names for their radio clock products, such as DIGIMATIC (UK/EU), or Digital 24 (US/North America), however the actual design would be identical or similar to those branded as Dream Machine. The manufacturing of Dream Machine is an early example of outsourcing. The vast majority of ...
Troy Graham (1949–2002), professional wrestler whose nickname is The Dream Machine; Dream Machine, a Calaway Park amusement park ride; Dream Machine, a ring name of Kazuo Sakurada; Dream Machine, a now defunct retail chain of fun centers filled with arcade games and more; Dream Machine, a device of the product group Unifi by Ubiquiti_Networks ...
DeepDream is a computer vision program created by Google engineer Alexander Mordvintsev that uses a convolutional neural network to find and enhance patterns in images via algorithmic pareidolia, thus creating a dream-like appearance reminiscent of a psychedelic experience in the deliberately overprocessed images.
A thought recording and reproduction device refers to any machine which is able to both directly record and reproduce, via a brain-computer interface, the thoughts, emotions, dreams or other neural/cognitive events of a subject for that or other subjects to experience. While currently residing within mostly fictional displays of the capacity of ...
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Computer Lib/Dream Machines is a 1974 book by Ted Nelson, printed as a two-front-cover paperback to indicate its "intertwingled" nature. Originally self-published by Nelson, it was republished with a foreword by Stewart Brand in 1987 by Microsoft Press .