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Sunday Sermons" follows the release of her debut single "My Jesus" and the holiday-themed single "I Still Believe in Christmas" in 2021. [6] Anne Wilson shared the story behind the song, [7] saying: This is my story of growing up in the church since I was a little girl. God used every Sunday sermon to develop a firm foundation in Him.
They would encourage their congregations to shout out vocal catchphrases (based on whatever they were preaching about) along with them as they preached their sermons. [4] [5] Church musicians began playing different soul and blues music-inspired chords, chord progressions, and musical riffs on pianos and Hammond organs. These were improvised to ...
A Sermon, a Narrative and a Prayer is a cantata for alto and tenor singers, a narrator, chorus, and orchestra by Igor Stravinsky, composed in 1960–61. It belongs to the composer’s serial period, and lasts a little over a quarter of an hour in performance.
Prayers of Kierkegaard is an unequivocal religious statement that Samuel Barber divided into four distinct parts, each representing a different prayer. The first section speaks of “God the Unchangeable” and begins in an unaccompanied chant performed by unaccompanied male voices in a Gregorian chant style.
[71] [nb 2] Part of this image was also used on the LP's side-one face label; [71] in addition, it appeared opposite the words to "The Lord Loves the One" in the lyrics section of the Material World songbook, published by the Charles Hansen sheet music company.
God's judgement must prevail! One little word subdues him. God's Word forever shall abide, No thanks to foes, who fear it; For God Himself fights by our side With weapons of the Spirit. Were they to take our house, Goods, honor, child, or spouse, Though life be wrenched away, They cannot win the day. The Kingdom's ours forever!
The Sermon! was the second of two albums recorded on two dates at The Manhattan Towers Hotel Ballroom, the first was Smith's previous album, House Party (1958). Rudy Van Gelder used the ballroom as a recording studio for recording sessions in 1957-1958, while he was still using his parents' Hackensack, New Jersey home studio to record artists for Blue Note.
Still continuing Isaiah's text, "All we like sheep, have gone astray" is set as a fast chorus in F-major on a walking bass with irregular patterns and leaps. The voices utter twice together "All we like sheep", then two voice parts move simultaneously in different directions on "have gone astray", with the last syllable extended to eleven notes.
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