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A literary trope is an artistic effect realized with figurative language — word, phrase, image — such as a rhetorical figure. [1] In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". [ 2 ]
For example, the phrase, "John, my best friend" uses the scheme known as apposition. Tropes (from Greek trepein, 'to turn') change the general meaning of words. An example of a trope is irony, which is the use of words to convey the opposite of their usual meaning ("For Brutus is an honorable man; / So are they all, all honorable men").
For example, in UK, people speak of "Crown property" meaning property belonging to the State. Similarly: "The White House had no comment to make." Minor premise – statement in an argument. Moral reasoning – reasoning employed in rhetoric that determines a conclusion based on evidence; used in issues of ethics, religion, economics, and politics.
Synecdoche is a rhetorical trope and a kind of metonymy—a figure of speech using a term to denote one thing to refer to a related thing. [9] [10]Synecdoche (and thus metonymy) is distinct from metaphor, [11] although in the past, it was considered a sub-species of metaphor, intending metaphor as a type of conceptual substitution (as Quintilian does in Institutio oratoria Book VIII).
Aristotle's proscriptive analysis of tragedy, for example, as expressed in his Rhetoric and Poetics, saw it as having 6 parts (music, diction, plot, character, thought, and spectacle) working together in particular ways. Thus, Aristotle established one of the earliest delineations of the elements that define genre.
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);
In rhetoric, antanaclasis (/ æ n t ə ˈ n æ k l ə s ɪ s, ˌ æ n t æ n ə ˈ k l æ s ɪ s /; from the Greek: ἀντανάκλασις, antanáklasis, meaning "reflection", [1] from ἀντί anti, "against", ἀνά ana, "up" and κλάσις klásis "breaking") is the literary trope in which a single word or phrase is repeated, but in two different senses. [2]
Rhetoric (c. 350 BC) Rhetoric to Alexander (c. 350 BC) De Sophisticis Elenchis (c. 350 BC) Topics (c. 350 BC) De Inventione (84 BC) Rhetorica ad Herennium (80 BC) De Oratore (55 BC) A Dialogue Concerning Oratorical Partitions (c. 50 BC) De Optimo Genere Oratorum (46 BC) Orator (46 BC) On the Sublime (c. 50) Institutio Oratoria (95) Panegyrici ...