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In Alec Wilder's 1972 study, American Popular Song: The Great Innovators, 1900–1950, the songwriter and critic lists and ranks the artists he believes belong to the Great American Songbook canon. A composer, Wilder emphasized analysis of composers and their creative efforts in this work. [8]
The Great American Songbook Foundation is a 501(c)(3) nonprofit organization dedicated to the preservation and promotion of the music of the Great American Songbook.The Songbook Foundation's administrative offices and Songbook Exhibit Gallery are located on the Gallery level of The Palladium at Allied Solutions Center for Performing Arts, a 1,600-seat concert hall in Carmel, Indiana, that ...
Ella Fitzgerald Sings the Antonio Carlos Jobim Song Book (Ella Abraça Jobim) (1981) (Erich Bulling) They are considered a cornerstone of 20th century recorded popular music, and as a whole, represent some of the finest interpretations of the greater part of the musical canon known as the Great American Songbook.
This list contains songs written by American country singer-songwriter Willie Nelson, including those where he is credited as co-author. The 344 songs are arranged alphabetically. The 344 songs are arranged alphabetically.
Thanks for the Memory: The Great American Songbook, Volume IV is the fourth title in Rod Stewart's series of covers of pop standards, released on 18 October 2005 for J Records, and his 23rd album overall.
Centennial Composers Collection is a six-CD box set. Each disc is devoted to one composer of the Great American Songbook and American musical theater genres. The composers of this collection are Richard Rodgers, Duke Ellington, Hoagy Carmichael, George Gershwin, Irving Berlin and Jerome Kern. These discs have also been released individually.
Quincy Jones, who expanded the American songbook as a musician, composer and producer and shaped some of the biggest stars and most memorable songs in the second half of the 20th century, has died.
There are conflicting explanations regarding the origins of the term "Tin Pan Alley". The most popular account holds that it was originally a derogatory reference made by Monroe H. Rosenfeld in the New York Herald to the collective sound made by many "cheap upright pianos" all playing different tunes being reminiscent of the banging of tin pans in an alleyway.
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