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The Music Man is a 1962 American musical film directed and produced by Morton DaCosta, based on Meredith Willson's 1957 Broadway musical of the same name, which DaCosta also directed. Robert Preston reprises the title role from the stage version, starring alongside Shirley Jones , Buddy Hackett , Hermione Gingold , Ronny Howard , and Paul Ford .
Music Man is a 1948 American musical comedy film directed by Will Jason. Jimmy Dorsey and His Orchestra appear alongside Freddie Stewart , June Preisser and Noel Neill . It was produced by Monogram Pictures .
Hugh Jackman dazzles as Professor Harold Hill, the charismatic con man who fires up an entire Midwestern town, in this abso-tootin’-lutely smashing revival of Meredith Willson’s adorably corny ...
The Music Man, a feature film adaptation; The Music Man, a television film remake "The Music Man" (song), a song and traditional game "Music Man", song on Take a Look Around by Masta Ace; Music Man, a 1980 album by Waylon Jennings; Music Man (company), a guitar company; The Music Man, English name for the Iranian film Santouri
"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. [1] The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town kids interrupt.
The Music Man is a musical with book, music, and lyrics by Meredith Willson, based on a story by Willson and Franklin Lacey.The plot concerns con man Harold Hill, who poses as a boys' band organizer and leader and sells band instruments and uniforms to naïve Midwestern townsfolk, promising to train the members of the new band.
The Music Man is a 2003 American made-for-television musical film directed by Jeff Bleckner with a teleplay by Sally Robinson. It is based on the 1957 musical of the same name by Meredith Willson , which in turn was based on a story by Willson and Franklin Lacey .
Not included are films where an overture is used to present the credits, or underscored scenes that are already part of the plot. Often, but not necessarily, these films also include an intermission with entr'acte, followed by exit music (after the credits). This list documents the rise and fall of the Overture/Roadshow practice over film history.
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