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The Agora Theatre and Ballroom (commonly known as the Cleveland Agora, or simply, the Agora) is a music venue located in Cleveland, Ohio.. Gary LoConti opened the first Agora on February 27, 1965, near the campus of Case Western Reserve University in Cleveland.
[70] April 16 Minneapolis, United States Cyrus Northrop Memorial Auditorium: 4,400 $24,300 [70] May 7 (2 shows) New York City, United States Beacon Theatre: 5,298 $36,000 [71] May 12 Chattanooga, United States Soldiers and Sailors Memorial Auditorium: 3,024 $17,643 [72] May 14 Johnson City, United States Freedom Hall Civic Center: 3,947 $23,450 ...
In Detroit garage rock stayed alive until the early 70s, with bands like the MC5 and The Stooges, who employed a much more aggressive style. These bands began to be labelled punk rock and are now often seen as proto-punk or proto-hard rock. [29]
These, beside British bands Jethro Tull, Supertramp and Electric Light Orchestra, all demonstrated a prog rock influence and while ranking among the most commercially successful acts of the 1970s, issuing in the era of pomp or arena rock, which would last until the costs of complex shows (often with theatrical staging and special effects ...
The Fillmore West was a historic rock and roll music venue in San Francisco, California, US which became famous under the direction of concert promoter Bill Graham from 1968 to 1971.
Cincinnati Gardens was an indoor arena located in Cincinnati, Ohio, that opened in 1949.The 25,000 square foot (2,300 m 2) brick and limestone building at 2250 Seymour Avenue in Bond Hill had an entrance that was decorated with six three-dimensional carved athletic figures.
The arena is famous for its box office number "RI-9-5171" (213) 749-5171 which is no longer in use. As far back as 1951, there had been rhythm and blues concerts at the Grand Olympic. [ 5 ] In 1969-70, The Grand Olympic Auditorium hosted concerts by hard rock acts such as Mountain , Jack Bruce , and Ten Years After .
According to Christgau, the decade also saw greater fragmentation along stylistic lines because of the rise of semipopular music: "It goes back to whenever arty types began to find 'the best' rock worthy of attention in the '60s, but in the '60s tolerance was the rule; it was easier to name rough substyles—say British invasion, folk-rock ...