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Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Mozart: Don Giovanni, [clarification needed] released 11 August 1998, Deutsche Grammophon 457601, conductor Claudio Abbado. Mozart: Don Giovanni, [clarification needed] released 13 February 2007, Deutsche Grammophon 000817509 and Decca DVD 000838309, conductor Daniel Harding.
Don Giovanni [ag] Dramma giocoso 2 acts Italian Da Ponte, based on Giovanni Bertati's Don Giovanni Tenorio: 3 soprano, 1 tenor, 1 baritone, 3 bass, chorus 29 October 1787 [ah] Estates Theatre, [ai] Prague K.527 Score Libretto: 1789–90 Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
“The original title was ‘Il dissoluto punito ossia il Don Giovanni,’ (The Libertine Punished, or Don Giovanni),” van Hove pointed out. “Mozart couldn’t have been clearer about his ...
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
Don Giovanni is a 1979 French-Italian film directed by Joseph Losey. It is an adaptation of Mozart 's classic 1787 opera Don Giovanni , based on the Don Juan legend of a seducer, destroyed by his excesses.
Don Giovanni (1787); Così fan tutte (1790). All created for the Court Opera in Vienna, they are in Italian, the language considered most suitable for opera at the time, and are Mozart’s most popular operas apart from Die Entführung aus dem Serail and The Magic Flute, composed on German libretti in the Singspiel genre.