Ad
related to: about mozart don giovanni
Search results
Results from the WOW.Com Content Network
Don Giovanni (Italian pronunciation: [ˌdɔn dʒoˈvanni]; K. 527; Vienna (1788) title: Il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte.
Madamina, il catalogo è questo" (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias. It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. [1]
Don Giovanni [ag] Dramma giocoso 2 acts Italian Da Ponte, based on Giovanni Bertati's Don Giovanni Tenorio: 3 soprano, 1 tenor, 1 baritone, 3 bass, chorus 29 October 1787 [ah] Estates Theatre, [ai] Prague K.527 Score Libretto: 1789–90 Così fan tutte (Women are like that or All women do that) [aj] Dramma giocoso 2 acts Italian Da Ponte
Liszt in 1843, around the time of the piece's conception. The Fantasy on Themes from Mozart's Figaro and Don Giovanni [1] (German: Fantasie über Themen aus Mozarts Figaro und Don Giovanni), [2] S.697, is an operatic paraphrase for solo piano by Franz Liszt, based on themes from two different Mozart's operas: The Marriage of Figaro, K.492 and Don Giovanni, K.527.
The vocal range for Don Giovanni covers E 3 to E 4, Zerlina's range covers E 4 to F ♯ 5. The piece is labelled a "duettino", a "little duet". The piece is labelled a "duettino", a "little duet". This may be because the two roles sing only as a duet towards the very end of the piece, after Zerlina's assenting Andiam! .
[4] [5] Mozart's librettist managed to get official approval from the emperor for an operatic version, which eventually achieved great success. The opera was the first of three collaborations between Mozart and Da Ponte, followed by Don Giovanni and Così fan tutte. It was Mozart who originally selected Beaumarchais's play and brought it to Da ...
"Là ci darem la mano" is a duet sung by Don Giovanni and Zerlina in act 1 of Mozart's 1787 opera Don Giovanni. In a manuscript of this composition, dedicated to his schoolfriend Tytus Woyciechowski, the latter replied on the title page in written form „J’accepte avec plaisir“ („I accept with pleasure“).
Leave the dead in peace!") and from the finale where he condemns Don Giovanni to Hell. The love duet of Don Giovanni and Zerlina follows ("Là ci darem la mano"), along with two variations on this theme, then an extended fantasy on the Champagne aria ("Fin ch'han dal vino"), and finally the work concludes with the Commendatore's threat.
Ad
related to: about mozart don giovanni