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Angels acquired Bermans & Nathans in 1992, moving the professional hire for film, TV and theatre to Camden. In 2015, Angels provided costumes to four of the five films nominated in this category: Mr. Turner, Into the Woods, Maleficent and The Grand Budapest Hotel, which won the Academy Award for Best Costume Design that year. [7]
Fancy dress parties are popular year round in the United Kingdom. The 1996 novel Bridget Jones's Diary features the classic British costume party theme "Tarts and Vicars" at which the women wear sexually provocative ("tart") costumes, while the men dress as Anglican priests ("vicars"). Fancy dress parties have been held by the British Royal Family.
The restored Altar Cloth in June 2019. The Bacton Altar Cloth is a 16th-century garment that is considered the sole surviving dress of Queen Elizabeth I.The cloth, embroidered in an elaborate floral design and made of cloth of silver, is an important relic of Tudor fashion and luxury trade, containing dyes from as far away as India and Mexico. [1]
In the first half of the 16th century, German dress varied widely from the costume worn in other parts of Europe. Skirts were cut separately from bodices, though often were sewn together, and the open-fronted gown laced over a kirtle with a wide band of rich fabric, often jeweled and embroidered, across the bust.
A standard item of masquerade dress was a "Vandyke", improvised on the costumes worn in the portraits of Van Dyck: Gainsborough's Blue Boy is the most familiar example, and a reminder of the later 18th-century popularity in England for portraits in fancy dress.
Zoe Screti, "A motley to the view: The clothing of court fools in Tudor England", Midlands Historical Review, 2 (2018). Selleck, Denise (Spring 1990). "On The Trail Of Jane The Fool". On the Issues; Fragment of a Latin wardrobe account of Mary I mentioning clothes for Jane Foole, BnF Gallica Anglais 176
Later in the 15th century, the doublet changed shape over time with each country developing its own style. Through the Tudor period, fashionable doublets remained close-fitting with baggy sleeves, and elaborate surface decoration such as pinks (patterns of small cuts in the fabric), slashes, embroidery, and applied braid. A man's doublet was ...
The costume historian Janet Arnold described how items in Elizabeth's inventory correspond with those in Mary's coronation wardrobe accounts, including the cloth of gold and silver mantle and a matching kirtle trimmed with ermine used at the Royal Entry, and the purple velvet mantle, kirtle and surcoat worn in the Abbey after the anointing. One ...
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